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Travel and Art: A Virgin Islands Renaissance

Nicole Canegata is interviewed by the Source. (Submitted photo)

Nationally acclaimed Virgin Islands photographer Nicole Canegata is helping define a growing cultural resurgence in the territory, using visual storytelling rooted in place, memory, and lived experience to bring local narratives to a national audience.

The U.S. Virgin Islands are in the midst of a quiet renaissance โ€” one shaped not only by renewed interest in travel, but by a deeper appreciation for art, culture, and the people who give the islands their identity. From the rolling landscapes of St. Croix to the paradoxical beauty of St. John, this cultural moment is being documented, interpreted, and preserved through the lens of Virgin Islands creatives whose work is gaining national attention.

Among them is Canegata, whose photography has become synonymous with authenticity, place, and memory. Rooted in lived experience and shaped by a deep connection to the land, her work captures the Virgin Islands with nuance, history, and emotion.

Earlier this year, Canegata presented a featured exhibit at Cane Roots Art Gallery on St. Croix, an intimate space that continues to serve as a platform for Virgin Islands artists and cultural expression. Visitors interested in viewing her latest original and printed works โ€” or possibly being photographed at one of her favorite locations, Davidโ€™s Bay โ€” can explore more at www.nicolecanegata.com.

Reflecting on her artistic journey, Canegata said a pivotal moment came when she realized photography and travel would be lifelong passions. โ€œI was able to collaborate with photography and travel and realize they were going to be lifelong passions in that moment,โ€ she said. โ€œI fell in love with telling visual stories.โ€

Much of that storytelling unfolds in black and white, a deliberate artistic choice that underscores mood and meaning. โ€œBlack and white is nostalgic,โ€ Canegata said. โ€œThere is a timelessness and mystery about black and white.โ€ The result is work that feels suspended between past and present, inviting viewers to slow down and look closer.

Canegataโ€™s photography recently reached a wider audience through Vogue, featured in โ€œSt. John Is the U.S. Virgin Island You Canโ€™t Just Sail Past Anymoreโ€ by Siobhan Reid, highlighting the Lovango Resort on St. John. Also included was a photograph of Virgin Islands National Park Interpreter Ahmad Tourรฉ from the Ram Head Plaque Dedication, credited to Virgin Islands Source reporter Judi Shimel.

Together, these visuals reinforce a growing narrative: the Virgin Islands are increasingly being seen and understood through the voices of those who know them best.

Like many Virgin Islands photographers, Canegata speaks of having a favorite place to photograph clients โ€” one she describes as โ€œotherworldly.โ€ The sentiment echoes cultural advocate Hadiya Sewer, who often describes St. John as a paradox of overwhelming, untouched beauty alongside an ongoing effort to preserve cultural identity. There are moments when the Virgin Islands feel entirely their own, distinct even from themselves.

At the heart of this cultural moment is a simple truth: people bring the Virgin Islands to life. Long before Columbus, the Taรญno and those who came before shaped these lands, leaving behind a spirit that continues to define the territory. Today, that spirit lives on in food, art, architecture, fabric, soil, and spice. To experience the Virgin Islands through a local or longtime resident is to access a deeper story rooted in tradition, resilience, and pride.

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